A main concern for me is to make an attempt to guide the eye of the observer when looking into a painting. This is directly related to the compositional qualities of the work which should always be constructed preserving and modulating a balance of form, nuance, contrast and concept all in reference to a core, where our attention “zeroes in” while travelling across the surface.
This balance doesn not always mean stillness, simmetry or estability; it can be moveable and dynamic at times, unstable or on the verge of collapse and that is a way for the viewer to access the most intimate emotional or psychocological moods ot the author.